Recent Works
Bubbles
Brooches / 2016
Plaster, fabric, Stainless Steel, Silver
Laboratory
Rןמע & Brooch / 2014
Sterling Silver, Plastic, Steel
Angles
Brooch / 2014
Sterling Silver, Steel, Plastic, Glass
Bracket Bracelet
Bracelet / 2013
Sterling Silver, Spring Steel, Rubber
Tweens
Rings /2013
Sterling Silver, Plastic , Resin
Inserted
Ring / 2013
Sterling Silver, Plaster, Zircon
Air Piece
Collar / 2013
Alpaka
Glass memory
Watch / 2013
Silver, Glass, Silicon
Join us
Modolar collar / 2012
Alpaca, Rubber
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Does jewelry within a specific collection have to be similar to one another? Further, is it possible to create an eclectic collection b ased on the same fundamental principles, or in other words D.N.A., of the jewelry’s design elements?
In creating a collection, designers sometimes realize upon reviewing their work that his or her project has another connection that wasn’t consciously created. In this project I decided to make this unknown, secondary connection the leading topic of my collection.
In creating a collection, designers sometimes realize upon reviewing their work that his or her project has another connection that wasn’t consciously created. In this project I decided to make this unknown, secondary connection the leading topic of my collection.
Throughout my process, every item b egan as an intuitive idea which was formulated independently into its correct form b ased on the materials and technology used. The connection between the items is revealed in the end; when all the pieces appear together. In my case, the connection that was discovered was measurements. Each piece emphasizes measurement in different ways; and together they appear as eclectic collection.
However, the result of this semi-b lind process brings to the forefront an age old question: What makes a collection cohesive; is it materials? technology? shape? or is it the hand of the designer which gives a collection unity?
However, the result of this semi-b lind process brings to the forefront an age old question: What makes a collection cohesive; is it materials? technology? shape? or is it the hand of the designer which gives a collection unity?